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So this was very exciting to listen to for the first time. This one has some really strong songs on it. Dp had been split up for a long while and even longer from the most popular version of Mk.2. The guys didn't disappoint either ,especially on the first half of the album. I do not think this is as good as their early 70's stuff but it was one of the most awesome albums of its own time, still not afraid to stick to their own style when all the newer music of the time sounded so much diffrent.
In my opinion,this is the epitomy of all the Deep Purple (Gillian & Glover incl). Many of their 70's releases were plagued by filler material. albums. The band brings a maturity here that makes the CD strong from beginning to end. Not so here. It's a must have for any Purple fan.
From the opening riff of the dirty, dirty 'Knocking At Your Back Door' to the sprawling very 70's-esque title track, it's perfect Purple. As such, i think there is a greater overall cohesion to this album than to many of Purple's other efforts. From the simple, yet iconic DP logo that i scrawled on countless surfaces to the thick and heavy production. My favourite Purple album by far. Any album with even one song that makes you want to do that is worth the money, especially at the price this classic is going for. These are also complete 'songs' rather than a stitched together showcase for the individual talents to shine.
I'd say there is no filler at all, although the blend of styles from the straight rock of 'Not Responsible' to the slow 'Wasted Sunsets' and the recurring Eastern motif's in that epic title track may divide some purists.
Heavy, hard and tuneful with a dash of experimentation.
One word must go to my favourite track 'Hungry Daze' which recalls the story telling of 'Smoke On The Water' a style of writing Deep Purple were always very good at.
I love virtually everything about it.
It is very much an album from a band on form.
It doesn't sound like supposed 'classic' Purple and it's all the better for it; this is a rejuvenated band showing the critics that there is still plenty of fuel in the tank and fire in the belly.
Blackmore is buzzing and the writing is top notch.
For some reason it always makes the hairs stand up and makes me want to stand up, jump up, play air guitar and sing-a-long.
So buy it.
I'm a fan of 70's hard rock. I don't like 80's music at all. I hate that "big drum" sound. But if you ignore "big drum" sound on this album, this is still great album.
The rest of the band, refugees from Rainbow, Black Sabbath and Whitesnake, were now right where they belonged and never sounded tighter. My other faves include "Nobody's Home" and "Gypsy Kiss" (I love the bridge section with Paice and Blackmore pounding along).
`Perfect Strangers' seemed like a once in a lifetime, happy accident and is it would soon pan out, the band would never again harness their volatile chemistry to make classic rock. In the fall of 1984, the unthinkable happened in which Deep Purple's greatest lineup reformed and reintroduced themselves to a younger metal audience who knew them only from the fact that their current rock heroes praised such landmark recordings as `In Rock', `Machine Head' and `Made in Japan' from this once and future mighty band.
The title track is so creepily moody it immediately raises goose bumps and the hilarious and masterful masterpiece "Knocking at Your Back Door" opens the album brilliantly. Blackmore and Gillan could only stand each other for so long.
`Strangers' was a great record because it sprouted its own share of classics that could stand beside the ones from the early `70s. Ritchie seems revitalized here as his playing was the best it had been since `Rising'.
`Perfect Strangers' set a standard that was unfortunately not to be duplicated and band seemed tired by the time a follow-up was released three long years later, but the cracks were already reappearing.
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